Dorian Gray Wildes Ending and Its Moments of Ambiguity In Chapter 20 of The Picture of Dorian Gray, Dorian is introduced to us as a figure conflicted between improving and easing himself from the transgression and defilement he has propagated on others, and seeking after his exclamatory longing for his stainless quality of unceasing youth to return. Most importantly, the passing of Dorian must be deciphered by attesting his relationship to his representation; the lethal picture, in which Wilde's lingual authority proposes it fills in as a severe update for his crumbling soul and his actual self, or as basically an image of a more noteworthy cultural power on Dorian. Consequently, just with this would one be able to judge whether Dorian really kicked the bucket by murder, self destruction or coincidentally. Toward the start of the section, Wilde utilizes disgraceful error to pass on the beautiful night which could harmonize with Dorian's natural inclination of happiness and his self image centricity and narcissism concerning his alleviation that he is protected.
